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November 21, 2009, 11:30:38 am

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2007 the year of the Pig: The Pig type is usually an honest, straightforward and patient person. He/she is a modest, shy character who prefers to work quietly behind the scenes. When others despair, he/she is often there to offer support. This type of person is reserved with those they do not know too well, but as time passes and they gain confidence, those around them may discover a lively and warm-hearted person behind that mask of aloofness. Despite those born in the year of pig having a wide circle of friends and acquaintances, they have few close friends who understand them and share their inner thoughts and feelings. It is easy to put trust in pig type; he/she won't let you down and will never even attempt to do so. Such people simply want to do everything right according to social norms.

It is important to remember that these people are not vengeful creatures. If someone tries to take advantage of him/her, the pig type tend to withdraw to reflect on the problem and protect themselves. All they need in such situations is a little time to find a constructive way to respond. The people of the pig type are conservative creatures of habit. They dislike being made to travel too far from familiar surroundings, unless it is a trip to the countryside. They love nature and are never happier than when they are out somewhere, far from the city.

There is a tolerant and peaceful side to their character. Such people are never afraid to allow others their freedom of expression; they do not want to cause arguments and if there is any way to avoid arguing, they will probably take this option. They are not weak, however, and if the situation forces them to fight these people will rise to the occasion, whether it is to defend themselves or those close to them. People of the Pig type are the most admired by others.
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Author Topic: Martial Art is something to be Experienced not simply Watched or Read  (Read 137 times)
Druiyung
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Martial Art is something to be Experienced not simply Watched or Read
« on: July 16, 2009, 07:54:21 am »

Many people harbor the notion that without physical conditioning and diligent practice, that by simply watching martial videos and reading books they'll be able to become proficient if not a master of the arts. First and foremost martial art for centuries have been a form of skill that can only be aquired through intense labor and hardwork. Merely watching a few videos and books will not cut it. The reasons are as follows:

>Martial art is something to be physically experienced. Your body has to ache from conditioning, stance work, form practice and sparring sessions. The body needs to be slowly conditioned as does one's bodily reflexes or to put it simply, one's muscle memory needs to be developed.

>Watching videos is only good if you're watching the masters or practictioners as a form of inspiration. See how far they've come, imagine all the hard work they've done and let their performance motivate you in working harder. However, trying to imitate their technique or thinking that you'll be able to do so is a folly simply put. The reason is that while they're able to do the things they do, you, more often than not, will not be able to because you lack their degree of conditioning and experience. Even lets say you manage to somehow imitate their movement 100% but the power will without a doubt not be equivalent because once again, you lack the conditioning, skill and experience.

>Reading books is only okay if you already have a qualified master teaching you and the book you're reading is a book that tells about the style you're learning. Perhaps through reading it something will click in your mind and you'll be able to build on what your master has taught you. Otherwise reading martial book can be a historical lesson, learning about how a particular style came into being and the political and social aspects entailing it. However, to read martial books as a means of substitution for instruction is well, wrong. Once again, even if what is inside the book is accurate, without the required conditioning etc. You most likely than not, will not be able to execute those forms or techniques properly. Even if you somehow manage to do so, the power behind it will without a doubt, be lacking.

Final note is this: Forms, techniques what have you is all nice and good but you have to know the inner components and mechanics behind those forms and techniques. What underlying messages are they carrying? The lesson each embodies in regards to the overall style? How, are you to generate power in a particular manner that will best bring out the efficiency of a particular form or technique in question? During practice, never stop asking yourselves these questions.

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